![]() ![]() 2), which once belonged to a colossal seated statue of Herakles set up as a dedication to the hero next to portrait statues of the Attalid kings in military dress. It may represent a youthful god such as Helios (Sun) or even Alexander the Great, and belongs to a type of sculpture known as tondo, or shield-framed image ( imago clipeata), which was widely employed in Roman and, later, European portraiture.Īnother work from Pergamon's Gymnasium is the double-life-sized marble head of Herakles (fig. Originally the bust was set in a roundel almost four feet in diameter, one of many roundels adorning the main hall of the Gymnasium of Pergamon. In addition to the sensual facial features, strong bone structure, and long, curly hair, the figure is imbued by a dramatic intensity expressed by the turn of the head and the slightly open mouth. 1), despite its fragmentary state, is among the finest surviving sculptures from Pergamon. Located in the same gallery, the emblematic marble bust of a young man (fig. The Attalid kings admired Classical painting and sculpture, and this impressive Athena is the best-known example of Pergamene Classicism. It preserves part of the relief that decorated the base of Pheidias's statue and illustrated the birth of Pandora, the creation myth of the first woman on earth, all endowed by the gods as her name suggests. ![]() The back of the Pergamene statue is cursorily carved and only one block of its base survives. This is where Pergamon's famous library was located, adorned with, in addition to the Athena, statues of illustrious literary figures of the past such as Homer and Herodotus. The statue was discovered behind the north stoa of the Sanctuary of Athena Polias Nikephoros (Athena of the City and Bearer of Victory), Pergamon's patron deity, which stood at the center of the citadel. At almost 12 feet high (3.51 meters, including the base), it is a scaled-down, free adaptation of Pheidias's Athena Parthenos, which stood inside the Parthenon and measured approximately 40 feet tall. The towering presence of the marble statue of Athena Parthenos, newly restored for the exhibition, greets visitors upon entering the third gallery (fig. One can get an idea of both these lost works in the exhibition Pergamon and the Hellenistic Kingdoms of the Ancient World, on view through July 17, which includes not one but four colossal statues-that is, at least twice life-size-all created during the second century B.C. and was considered one of the Seven Wonders of the Ancient World. Two famous colossal statues of Herodotus's time were Pheidias's awe-inspiring, gold-and-ivory cult statues of Athena Parthenos on the Acropolis of Athens (dedicated in 438 B.C.) and Zeus Olympios at Olympia, which was completed around 430 B.C. The ancient Greeks called them kolossoi, a word first used by Herodotus to describe the massive stone statues of Pharaonic Egypt. "The exhibition's scale and scope are colossal indeed, it even contains something of a colossus, a ten-foot-high marble image of Athena. A view of one of the galleries in the exhibition Pergamon and the Hellenistic Kingdoms of the Ancient World A copy of the license is included in the section entitled GNU Free Documentation License.Fig. ![]() Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. CC BY-SA 3.0 Creative Commons Attribution-Share Alike 3.0 true true share alike – If you remix, transform, or build upon the material, you must distribute your contributions under the same or compatible license as the original.You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.to share – to copy, distribute and transmit the work.If you have questions about the archived correspondence, please use the VRT noticeboard. The correspondence is available to trusted volunteers as ticket #2012021710000834. This correspondence has been reviewed by a Volunteer Response Team (VRT) member and stored in our permission archive. The Wikimedia Foundation has received an e-mail confirming that the copyright holder has approved publication under the terms mentioned on this page. If you wish to use this content, you do not need to request permission as long as you follow any licensing requirements mentioned on this page. This work is free and may be used by anyone for any purpose. Walters Art Museum: Home page Info about artwork National Gallery of Art, Washington Los Angeles County Museum of Art, Los Angeles. Henry Walters), New York, 1931, by inheritance Henry Walters, Baltimore and New York, 1906, by purchase.De Prisco, Boscoreale/Canessa, 1906, by excavation. ![]()
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